Art-punks Deliluh have returned with their second album of 2019.

Recorded in the same veterans hall 5 months prior to it’s sibling record (Oath Of Intent), Beneath The Floors delves deeper into their dark imagination, stretching further into stylistic extremes. Spoken stories that thread through the ringing clamour of post-punk anthems (Incantessa, Lickspittle: A Nut In The Paste) are juxtaposed by the soft whisper of ballads (Via 5A, Hangman’s Keep) and sinister instrumental passages (Falcon Scott Trail, Con Art Inc.) Rests between songs are seldom. Hard cuts and hiss from the reel-to-reel tape sessions inject a spirit of conviction through each passing movement, leaving behind a sense of wonder in their wake.

The LP explores themes surrounding generational imbalance, self-affliction and inner-conflict in the face of mortality. A relay of changing protagonists are followed struggling through the underbellies of modern life, and their respective scenarios also range in the extremes. While 'Master Keys' peers over the shoulder of a paranoid security guard, ‘Via 5A' stalks a young siren on a Toronto transit joyride, and the title track’s abandoned hotel haunts a vulnerable visitor to tears. Some songs poke fun at surface level insecurities: ‘Lickspittle’ patronizes a rejected outsider, while ‘Cleat Walker’ knocks an image conscious athlete over his shoe-shine fetish. Conversely, the impending doom in their instrumental soundtrack to the deadly Terra Nova Expedition (Falcon Scott Trail) is potently matched by the lyrics to ‘Hangman’s Keep’, acknowledging the end of the line for three characters hanging off opposite edges of societies margins: a teenage heroin addict, a drought stricken shepherd, and a suicidal inmate.